I’ve been working professional with theater scenography since 1993 and have registred most of my work and life around stages with a camera. For the last couple of years, the crossline between professional and private life has gotten thinner and thinner, and this is for me the most intriguing thing that ever happened in my creative work with a camera. Together with my partner Dicki Lakha, we launched a project called “The Tower Prophets” that investigates the borderlines of a private/staged sphere.
After 10 years in the digital camera world, I returned to shooting analog 35mm cameras last year. I am totally taken by these magical machines, and will for sure stay true to this media as long as celluloid film is accessible.